For 4 vocalists, piano, cello, percussion, and electronics. Composed during residencies at the Atlantic Center for the Arts and the NYU Music Technology studios in the summer of 2021. Recorded for and released on Edition Wandelweiser Records.
Reviewed in The Wire magazine, the Squid’s Ear online magazine.
Radio play on ConcertZender.nl (Netherlands), the RTQE show on WORT (Madison), the Double Bummer show on XRAY.FM (Portland), dublab (LA) Night After Night and more.
Continue reading →Landscape: Ghost (Home) is a recomposition of Landscape: Home for the Ghost Ensemble. This is another step in the ongoing interest I have to create a mimetic version of Haruki Murakami’s “over there” or “other world” in sound and image. I wrote a paper concerning this, “Mimesis, Murakami, and Multimedia Art: Parallel Worlds in Performance,” that was presented at the 40 Years of Murakami conference at Newcastle University, UK and published in Leonardo Music Journal.
An example of combining multiple music pieces into RPG gameplay for my Scoring for Multimedia class at Stetson university.
Instructions for a Home Invasion is an installation for text, video projections, speakers, and found objects created by Teresa Carmody, Madison Creech, Chaz Underriner and Terri Witek in 2018. The installation is a meditation on the space of the Booker House in response to poetic instructions—we bring objects, sound, and images from our own various houses into this temporarily shared unoccupied space, itself a portion of a much larger university-owned house. Continue reading →
For violin, tenor sax, electric guitar, percussion, piano and field recording. Commissioned by Gaudeamus for ensemble Kluster 5. Premiered at Gaudeamus Muziekweek 2017.
Continue reading →A film scoring study for the train scene from Spirited Away. Continue reading →
Chaz Underriner reinterprets Anastassis Philippakopoulos
Continue reading →
A collaboration with poet Joe Milazzo featuring readers Mary Mixter and Adriana Valls. Also, a score for fixed media and two or more performers written for Madeleine Shapiro.
Continue reading →Backroads is a 35′ film for video and 8 channel audio, an 8’40” short for video and 2 channel audio and a 3-hour installation for 3 video projectors and surround sound audio that explores the sensations of highway hypnosis Continue reading →
A headphone piece to be listened to while walking to the Los Angeles river from Atwater Village. Featured on the Dog Star Orchestra concert series, Volume 8 (August 29 to September 9, 2012) as a part of the “At the Water, In the Village” concert curated by Colin Wambsgans. Continue reading →
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