I’m happy to share the BBC3 recording of Kluster5 performing “nocturne series: 8” at the hcmf// 2018 (Huddersfield Contemporary Music Festival).
I’m really pleased to share GreyWing Ensemble’s fantastic rendition of nocturne series: 4 on their latest release, nature forms I. I’m really happy with the recording that Lindsay Vickery put together—recording the piece in an interesting sonic environment outside of Perth, Australia is a context I never imagined while composing the piece, but that works wonderfully. The ensemble’s playing on this recording is also fantastic. Continue reading →
For video, clarinet, and tape. Commissioned by clarinetist Germaine Sijstermans.
For violin, tenor sax, electric guitar, percussion, piano and field recording. Commissioned by Gaudeamus for ensemble Kluster 5. Premiered at Gaudeamus Muziekweek 2017.
Continue reading →Landscape: Home is a multimedia reflection on the notion of ‘home’ for electric guitar, 2 video projections, and 6-channel audio. Continue reading →
Landscape Series: 1 is 72 minute concert work for multiple chamber ensembles, 3-screen video projection, and 8.1 surround sound audio. This piece is a finalist for the Gaudeamus Award 2017. Here is a preview video of the performance of LS1 at Gaudeamus Muziekweek. The Landscape series is a collection of works that explore the notion of landscape through various combinations of field recordings, abstract video, and music written for chamber groups. This score is a realization of the series as a whole that consists of all the pieces interwoven into a 72 minute multimedia concert.
Continue reading →A Landscape series work for 4 trombones. The Trombone Quartet uses antiphonally shifting microtonal harmonics in order to evoke the sensation of driving through a vast, empty landscape, such as a Texas desert.
A Landscape series work for 3 clarinets in A. The Clarinet Trio is a microtonal exploration of acoustic beating patterns that sit around the critical band in order to evoke the sensation of driving through a vast, empty landscape, such as a Texas desert.
Chaz Underriner reinterprets Anastassis Philippakopoulos
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for video, field recording and koto. Continue reading →
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