Session no. 1 is the first EP by the Chaz Underriner Quintet, a group founded in 2022 as vehicle for Chaz’s new compositions inspired by jazz, funk, blues, and folk music. The EP consists of 4 tracks, each of which are original jazz compositions for the quintet.
Personnel:
Chaz Underriner, composition and guitar
Garrett Wingfield, saxophones
Carlos Martinez, keyboard
Dan Walters, bass
Colby Savary, drums
Recorded in Tinsley Hall, Stetson University July 9th, 2022
Destin Beaumont, audio engineer
Jodi-Ann Taylor and Connor Bradt, video and audio engineering
Chaz Underriner, mixing engineer and video editor
A video collaboration with poet Avni Vyas commissioned by the Stetson MFA of the Americas and Burrow Press based on her book Little God.
Continue reading →For 4 vocalists, piano, cello, percussion, and electronics. Composed during residencies at the Atlantic Center for the Arts and the NYU Music Technology studios in the summer of 2021. Recorded for and released on Edition Wandelweiser Records.
Reviewed in The Wire magazine.
Radio play on ConcertZender.nl (Netherlands), the RTQE show on WORT (Madison), the Double Bummer show on XRAY.FM (Portland), dublab (LA) Night After Night and more.
Continue reading →Commissioned by the Amorsima Trio for their “20 New Miniatures in Reaction to Beethoven’s 250th Anniversary” program.
for orchestra
2 2 2 2 4 2 3 1 Timp, 2 Perc, Celeste, Harp Strings
duration ca. 9 minutes
I had a ton of fun collaborating with artist Sky Macklay to compose a work to perform with her Harmonitrees installation at the Hand Art Center during her residency at Stetson University. I created the score in photoshop for musicians to play with the different harmonitrees:
I also interviewed Sky about her work and the installation for the Hand Art Center’s archives:
For violin, cello, piano and video. Performed by Moscow Contemporary Music Ensemble (MCME). Recorded at GROUND Solyanka, Moscow, Russia December 2020. Written for Tenth International Young Composer’s Academy, Tchaikovsky City.
Landscape: Ghost (Home) is a recomposition of Landscape: Home for the Ghost Ensemble. This is another step in the ongoing interest I have to create a mimetic version of Haruki Murakami’s “over there” or “other world” in sound and image. I wrote a paper concerning this, “Mimesis, Murakami, and Multimedia Art: Parallel Worlds in Performance,” that was presented at the 40 Years of Murakami conference at Newcastle University, UK and published in Leonardo Music Journal.
I had a lot of fun making a video jazz jam (featuring my dog, Yuki) after classes went online in spring 2020. I recorded using a webcam, a dynamic mic, and Logic Pro X and did all of the audio and video editing inside of Premiere Pro.
I enjoyed playing some pieces for guitar/electronics/video and talking about my work on the streaming series with James Talambas in May.
https://www.facebook.com/JTalambas/videos/10217324459131530/
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