As an audio engineer, I specialize in recording and mixing classical music, jazz, and experimental music.
It was a great pleasure to work with UNT album Jonathan Thompson on his first album as a mixing engineer, particularly since the music is all new compositions for oboe.
I’m really pleased to share GreyWing Ensemble’s fantastic rendition of nocturne series: 4 on their latest release, nature forms I. I’m really happy with the recording that Lindsay Vickery put together—recording the piece in an interesting sonic environment outside of Perth, Australia is a context I never imagined while composing the piece, but that works wonderfully. The ensemble’s playing on this recording is also fantastic. Continue reading →
An album of structured improvisations featuring Colton Lytle, Jolene Masone, and Chaz Underriner. Continue reading →
I engineered and mixed a recording of Harvey Sollberger‘s Soli E Scherzi for flute and piano, performed by Calliope Duo—Elizabeth McNutt, flute and Shannon Wettstein, piano. We recorded in Voertman Hall at the University of North Texas in April, 2017. The release of the recording is forthcoming.
At the Art Institute of Dallas’ Recording Studio, engineers Janel Trevino and Juan Espinosa (with direction from Douglas Holmes) helped me record Chorale and Finely Tuned Resonators for eight electric guitars by composer Michael Winter for his release on New World Records. Continue reading →
A film scoring study for the train scene from Spirited Away. Continue reading →
Chaz Underriner reinterprets Anastassis Philippakopoulos
Continue reading →