Landscape: Home is a multimedia reflection on the notion of ‘home’ for electric guitar, 2 video projections, and 6-channel audio. Continue reading →
Music blog Nieuwe Noten wrote reviews of the performances of both Nocturne Series: 8 and Landscape Series: 1. The text is in Dutch, but a translation (by Nico Couck) is available here: Continue reading →
I engineered and mixed a recording of Harvey Sollberger‘s Soli E Scherzi for flute and piano, performed by Calliope Duo—Elizabeth McNutt, flute and Shannon Wettstein, piano. We recorded in Voertman Hall at the University of North Texas in April, 2017. The release of the recording is forthcoming.
At the Art Institute of Dallas’ Recording Studio, engineers Janel Trevino and Juan Espinosa (with direction from Douglas Holmes) helped me record Chorale and Finely Tuned Resonators for eight electric guitars by composer Michael Winter for his release on New World Records. Continue reading →
I’m excited to be included as a guest on the Lexical Tones podcast with Rob McClure. Continue reading →
A film scoring study for the train scene from Spirited Away. Continue reading →
I’m very excited that Landscape Series: 1 is being considered for the 2017 Gaudeamus Award. As a part of my participation in Gaudeamus Muziekweek, they have written an interview with me and artist Peter Bo Rappmund has created an artist introduction video for me.
Additionally, Gaudeamus produced the following:
Floating Gardens is a brief composition concerning boundaries, tuning and incongruity for chamber orchestra. Floating Gardens was written for new music collective wild UP as a part of the Los Angeles Philharmonic’s 2016 National Composer’s Intensive. Continue reading →
A video I shot/edited/mixed for my mother, painter Julie Underriner. Continue reading →
Landscape: Backroads is a 1-hour installation for 3 video projectors and surround sound audio that explores the sensations of highway hypnosis:← Older posts